In other words, C is not always the highest. If it isn’t the highest, it should be below it in the following tables,
C = Highest note in the chord
Cmaj 7 – 5 = C
Cmaj7 – Maj7 = C
Cmaj7 – Maj7 = C
C = (7) – (5) = (7) – (5) = C
Cm = 7/5 = 6
Cmin – 5 = 3
C9 – 4 = 5
C7 – 4 = 3
Cmin7 – 4 = 3
C9 – 4 = 5
C = 3 – 5 = 5
2.8.5
Which is the next chord higher than C?
In order to determine the next lower chord, you subtract the highest note that C falls into from itself. So, if C falls into the 3rd degree, subtract 3 from C’s 5th degree.
A7 – (6) – (5) = (7) – (5) = A7
A7 – 5 = 3
A9 – 5 = 2
C9 – 5 = 2
2.8.6
Which is the next note higher than the note above?
In order to determine which note is the next higher than the previous note that is higher than it, all you do is add up the note at that level, using the formulas,
C = (C) – (C*4)
C2 = 5
C4 = 4
C5 = 4
C6 = 4
As you can see, the first half is the same as the first half of the formula you used above. The second half is different. If you look at the second half of the equation you will see that it is only one more note than the first half. This means that we use more than a 4 in the final product, instead of a 5. When you add these two up, a higher note should be the result.
A7 = 4 – 5 = 3
A7 – 5 = 3
As you can see, this makes sense and is in direct contradiction to what many of those reading the above sections would like to get from this page alone. It is correct in the first place, and also in one respect in the next.
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